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1967-1970 | Computer music compositions, large nonrepresentational computer graphics
on paper produced in segments on computer line printer and assembled, holograms, laser diffraction pattern wall projections |
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1971 | 35mm B&W stills and 16mm film animation "Fluids",
35mm B&W large format prints of computer generated diffraction patterns |
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1972 | 35mm B&W and computer digitized film image portraits |
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1973 | University of Illinois - Center for Advanced Computation "Establishment of Connection" Group Show in
cooperation with Experimental Music Department - 16 mm film computer animation 3D expanding polyhedra,
real-time nonrepresentational computer animation on vector graphics display. |
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1974 | Color polaroids, small nonrepresentational images obtained by programming a vector display to draw raster
images using large pixels with vestiges of internal drawing within each pixel |
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1974 | 35 mm B&W photographs, Brooklyn, portraits of father
Robert Dolson. |
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1974-1976 | Dramatic ensemble videos on 1/2" B&W tape. 35mm portraits of many of the ensemble members. |
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1975 | Large nonrepresentational images on paper, assembled from computer printer output, computer
animation on vector CRTs, theatrical lighting design, "Witness for the Prosecution" Dir.
Micheal Hartig, Off Off Broadway |
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1976 | 35mm B&W portraits, 1/2 inch color video tapes of an sctress sleeping and waking up and
then acting to be sleeping and waking up. |
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1978 | Proposal for computer control of the architectural lighting of the World Trade Center to create
time-dependent patterns on the sides of the towers. First interest in large scale dymanic environmental works. |
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1978 | Military aircraft silhouettes, studio installation. Very large, nearly life size
silhouettes of a McDonnell Douglas F4 Phantom and Lockheed SR-71 cut from rolls of black
photographic backdrop paper. |
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1978-1982 | Collaboration with dance troup Kinematic, numerous 3/4 inch
dance videos, performance lighting design, posters, 35mm color photography |
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1978 | Created environments in studio loft with a variety of sensors which tracked an occupant
as they moved around and reacted to their movements by changing the space's lighting, controlled by microcomputer. |
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1979 | 35mm color slide self portraits, rural still lifes and landscapes |
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1979 | Designed simple computer video output device for Retina, Inc. systems using a video game chip and adapted
it for computer animation, used as primary art-making tool for the next few years. A reaction
to the increasing sophistication and slickness of commercial computer graphics, the machine was
deliberately low-tech for a computer display, having the very limited palette and low resolution of a video game. |
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1980 | Polygon Series - color polaroids and 35mm prints and slides of computer video images
concerned with planar objects which suggest 3D structure but never really become solid. |
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1981 | Polygon Animations, computer video animation of the Polygon series. |
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1981 | De Stijl TV - Computer Video Animation - approx. 15 min., simulations of compositions
by Mondrian based on fairly involved aesthetic rules with some constricted
probabilistic outcomes. Began with the early compositions and ended with
the Boogie Woogie series. The simulations did not appear whole but were drawn
incrementally. |
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1981 | Museum of Northen Arizona - gallery environmental lighting - the best implementation of the original
"event responsive" interactive environment concepts developed with Scott Simeral in 1978. |
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1981-1983 | OECD - Ocean Earth Construction and Development, Inc. - with Peter Fend, and others (see link)
Peter Fend's concept, contributed computer expertise and imaging and video. |
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1982 | "So Help Me Hannah" - 3/4 inch video by Hannah Wilke with Bob Rubin |
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1982 | Suprematist TV - Computer Video Animation - mimiced Suprematist compositions of Malevich
again using derived compositional rules with some constrained stochastics.
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1983 | Brooklyn Bridge Centennial Celebration - Computer lighting system animated all bridge lighting
as part of the Centennial Sound and Light Show, with Architel Systems, Inc.
(The ultimate physical implementation to date of animated lighting concepts first expressed in WTC proposal of 1978
The Grid Switch Series is the next development of these concepts.) |
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1985 | Polaroid self portraits |
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1986 | Designed and constructed deliberately primitive digital video capture board, again using video game technology and started a series
of portraits, video images on polaroid film, involving undersampled images. |
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1987 | Camouflage Painting of 1972 Renault R-12 Station Wagon in fighter aircraft pattern,
insignia by Donn Castonguay |
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1988-1989 | Study of mosaic as precursor to digital images, produced a few
studies but no completed works. |
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1991 | Installation of large format digital image on paper and race car chassis
final event at studio space at 257 Elizabeth St. NYC. |